Theater Review - Rock of Ages 3/27/10

Rock of Ages


Brooks Atkinson Theatre

256 West 47th Street

Saturday March 27, 2010 8:00PM

Rock of Ages is the new broadway musical based on the best rock pop hits of the 1980’s. The story takes place for the majority at the fictional “Bourbon Room” on the Sunset Strip. Drew is a bar back and dreams of making it big with his music. He meets Sherrie once she gets off the bus from the mid west. She is here to try and make it big as an actress. The story follows their stereo typical ups and downs of courtship. The Bourbon Room is owned by Dennis and has Lonny as the other bar back, who also serves as the stories narrator. Drew gets his shot at fame replacing Stacee Jaxx, famed lead singer of Aresenal. They are performing their final gig at the Bourbon Room in attempt to save it from being torn down by German developer Hertz and his son Franz. The story goes on to show the ups and downs of each character.

The songs/story are told through the most famous 80’s hits and ballads such as “Sister Christian”, “I Wanna Rock”, “We’re Not Gonna Take It”, “I Want to Know What Love Is”, “Cum on feel the Noize”, “Here I Go Again”, “The Final Countdown”, “Hit Me With Your Best Shot”, “Every Rose Has Its Thorn”, and “Don’t Stop Believin’”.

Theater Review - Hair 3/27/10

Hair


Al Hirschfeld Theatre

302 W. 45th St.

Saturday 3/27/10 – 2:00PM



Hair is an “American Tribal Love-Rock Musical” which originated in 1967. Based in the late 1960’s, this show is about the struggle of a new generation believing in peace and love against their old fashioned elders. There are many smaller stories but the main plot is centered on tribe member Claude and his decision of accepting or dodging the emerging war draft. The rock score boasts many songs later made main stream hits such as “Aquarius” and “Let the Sunshine In”.

My only prior exposure to this show was from basic research and the 2004 Actors Fund Benefit Recording (featuring my love Adam Pascal doing an amazing rendition of “I Got Life”!!!) I had heard nothing but raves about this most recent 2009 revival so it was time to check it out. The theater is the perfect intimate setting for this production which is very audience interactive. We were seated initially in Row D center Mezzanine which are great seats. The mezz was pretty empty so we moved over to the right section to have more room and comfort for the second act.

I was a little put off for the first half of Act I where all the characters were being introduced, but by “I Got Life” I was definitely starting to feel it and loved it from then on. The story was moving with Claude trying to figure out what he should do, the bonding of the tribe, and love issues of Sheila/Berger. I had heard that there was a nude scene at the end of Act 1 but, wow, I didn’t think I would be able to see as much as I did. I was a little disturbed that there were several younger kids with parents (10-12 y/o) who knew about the scene prior, but to each their own I guess. Without ruining the end for anyone all I will say is that it is very moving and powerful. The last image is just intense and moves you to tears. But then brings you right back up with the interactive curtain call/dance party. We didn’t bother running down to the stage like a lot of others and was glad we didn’t, since Claude and Berger had come up to the Mezz to dance with us. Claude grabbed my hand and shimmied which was adorable. During the first song of Act II, one of the tribe’s members climbed over the person sitting in the aisle seat and pretty much sat on me and hugged me. The interactivity of the cast just made the whole experience that much better. I don’t know if I would be in any personal rush to go back unless I was going with a group that just wanted to see a fun (albeit poignant) show but it is definitely something everyone should check out once.

The original cast of this revival had all just left to open up a production in London, but I was quite happy with the new cast. Kyle Riabko is the newest Claude and played the role with such wide eyed hope and innocence. He had a good voice (not excellent but not bad) and is easy on the eyes. However when the wig comes off and his hair is parted, he looked 15. He had great chemistry with Ace Young (Berger) and Diana DeGarmo (Sheila). I do not watch American Idol so I have no clue of their fame from there, but everyone else did. Ace was amazing. He was a little over the top with the goofiness in the very beginning but became more natural as the show progressed. I loved his voice, and well, he is very very pretty to look at walking around shirtless, and sometimes pantsless throughout the show. I really loved to watch all of the small moments between Claude and Berger. Diana as Sheila had a lovely voice and her “Easy to be Hard” was great. The rest of the cast and tribe were also very talented. I especially loved Jason Wooten as Woof - too adorable!

“Where do I go

Follow my heartbeat

Where do I go

Follow my hand

Where will they lead me

And will I ever

Discover why I live and die”

Theater Review - Jersey Boys - 3/21/2010

It has been two years since I have written a review of a show. If I can remember correctly I believe since the last one I have seen: Alive in the World Benefit, Mamma Mia, The Little Mermaid, Sunday in the Park with George, Xanadu, In the Heights, Chess (Seattle community production directed by the amazing Mr. Roy), Damn Yankees (City Center), Cirque Dreams: Jungle Fantasy, Play it Cool (New York Musical Theater Festival), 39 Steps, In the Heights (again), Equus, Pal Joey, Shrek The Musical, Billy Elliot, Rent Tour, Defying Gravity: An Evening with Stephen Schwartz, and Jersey Boys. If I can find my playbills and have some time I will attempt to backtrack and write reviews, no promises though.

Jersey Boys
August Wilson Theatre
245 W. 52nd Street
Sunday 3/21/10 – 3:00PM

When I received the call from my mother telling me she got us tickets to Jersey Boys, I was excited. I had already seen the show the summer prior, but it was such a fun and amazing show that I had absolutely no problem seeing it again. And it did not disappoint.

For those living under a rock, Jersey Boys is the smash hit musical based on the life story and music of Frankie Valli and the Four Seasons. It won the 2006 Tony Award for Best Musical and has been playing to sold out crowds ever since. The story takes you from the original roots, young men singing under a street light on the streets of New Jersey to the peak of fame, the downfall and struggles and ends in the present (or well present as of 2005). All four characters take a turn narrating the action: Tommy DeVito & Bob Gaudio in Act 1 and Nick Massi and Frankie Valli in Act II. In doing this, you are able to develop more personal relationships with each of the members and get to know more about their individual personalities. It is a very fast paced musical and keeps you on your toes. There is obviously a lot of material and songs to cover and they have tried to include as much as possible. This was one of my personal favorite aspects of the show, the transitions between scenes and songs. The cast it self brings most of the props on and off stage, but it looks seamless. The four leads especially are non stop running around the stage, up the stairs and over the bridge to pretty much launch right into another song. The vocals of these songs are strenuous enough, then add the physicality of the roles and I don’t know how the actors do it, but they do. Other than the four leads mostly every other actor fills in for multiple roles which is interesting to me. You get to see someone in several different ways.

All of the groups biggest hits are featured such as: “Sherry”, “Big Girls Don’t Cry”, “Walk Like a Man”, December 1963 (Oh, What a Night), “My Eyes Adored You”, “Dawn (Go Away), “Big Man in Town”, “Beggin”, “Stay”, “Let’s Hang On (To What We’ve Got”, “Bye Bye Baby”, “C’mon Marianne”, “Can’t Take My Eyes Off You”, “Working My Way Back to You”, “Rag Doll” and “Who Loves You”. All songs are intertwined with dialogue and stories about what was currently going on.

The actors were amazing. I never saw the original cast live, but I have seen this cast twice and I was not disappointed one bit. Jarrod Spector was phenomenal as Frankie Valli. He physically looked the part and his voice was breathtaking. It is a very demanding role and he made it look easy. He had a lot of charisma with the rest of the cast. His “Fallen Angel” performance was hauntingly painful and beautiful at the same time and had even me crying, and that is not easy. I went to this performance as part of a bus trip and a lot of the group had seen the show with the original cast and there was a lot of chatter about Jarrod outperforming John Lloyd Young. I also greatly enjoyed his “My Eyes Adored You”.

Sebastian Arcelus was a joy as Bob Gaudio. The interactions between him and Jarrod were my favorite moments. You could really believe the love and friendship between the two characters. This is most seen during “Can’t Take My Eyes Off You” where Bob is seen standing above alone watching Frankie with a look of pride and then they both look at each other in mutual admiration and Bob walks off smiling. Such a small moment, but touched me the most. I also greatly enjoyed Sebastian’s performance of “December, 1963).

Dominic Nolfi as Tommy DeVito was the new addition for myself. When I saw the show in August he was out and his understudy Erik Bates was on. This is the comedic role of the show and Dominic was great and kept the audiences entertained but I kind of preferred Erik’s take better. Dominic, to me, was a bit too exaggerated. But he had a smooth voice that complimented the role perfectly. Matt Bogart was there once again as Nick Massi. The role is sort of one-note but he does a great job with it. He is quiet and in the background of the group but gets some great moments. His “rooming with Tommy” scene in the beginning of Act II was hilarious. And I also have to point out how much I loved Peter Gregus as Bob Crewe. Such a fun performance, and it is really cool to know that he has been with the show since it was still in California. He did not seem bored at all with his role.

I definitely suggest everyone checking out this show at least once, but if you are like me, one time will not be enough. Being a Jersey girl, born and raised, the in jokes never get old and made me relate and enjoy it that much more. Hearing the town you work in mentioned in a Broadway show never gets old! It was also wonderful to see the show with my mother and her generation who grew up at the same time as the story and hear all their personal experiences. Who knew the members, family of the members, saw them perform in the early days, etc. It brought them all back to their hay day and you can see how much it meant to them.

Big thank you first to Johnny and Doug for taking me the first time and letting me lose my “virginity” right next to one of JB’s biggest fans!  And second, thank you to American Legion Post 227 in Totowa, NJ for putting together the second trip.

Review - The Homecoming - 1/31/2008

The Homecoming

Cort Theatre

138 W 48^th Street

Sunday 1/13/08 – 3:00PM

The Homecoming is a famous dark play written by legend Harold Pinter. I had no prior exposure to him before hearing about this show coming to broadway. When it was announced I ebayed a copy of the play and read it on the plane to Vegas. It is a short work and I had it read in less than an hour. I started out enjoying it but then it took too many sub contextual turns and never really wrapped itself off. I am all for twisted and dark pieces, but I need an underlying and consistent plot to really dive in. Maybe it is my lack of knowledge or readings of great works, but I am trying. Here is my understanding of the plot. The story takes place in London England circa 1960-1970. The main characters Max (father – Ian McShane famous for Deadwood series on HBO), Sam (Max’s brother – Michael McKean famous for many TV shows, Saturday Night Live, and Spinal Tap movies), Lenny (Max’s middle son – Raul Esparza), Teddy (Max’s Eldest Son – James Frain), Joey (Max’s youngest son - Gareth Saxe), and Ruth (Teddy’s wife – Eve Best). Eldest son Teddy and his wife Ruth come back to England for a surprise family visit. The family does not know he is married, so this has caused a shock. Max plays almost an impotent type man trying to still play the macho patriarch of the family. Lenny’s occupation is not exactly clear until the end of the play, and Joey is a budding boxer. Most of the story I guess revolves the power struggle and role sexuality plays in a circle of people - the need for dominance. The most open ended question is whether Ruth is being controlled, or actually the manipulator. But are these strong men really that vulnerable to be so easily controlled by feminine sexual appeal? There are many “WTF” moments whether via plot or sheet shock at the staging, which isn’t a bad thing, but the show just ends so abruptly. I’m sure there are many papers, reviews, critiques on the inner workings of the show, and delves into these questions, but I still don’t get it. But maybe that is how it is supposed to be; leaving it undefined and open for interpretation.

Performances were excellent from the whole cast. Actually a little scary how close they were to how I imagined them to be when reading the play originally. I don’t know if it was my previous interest in Raul’s theater credits, but it was so hard to keep his character in focus. I’m not faulting him for this, but his London accent was scarily similar to the one used in Taboo, and I have been on a Taboo kick lately. Any moment I was waiting for him to come out dressed in drag. The character was a bit too lovable in my opinion, strange as it may seem. I always thought you would want to be sickened in a way by Lenny in a way, but Raul came off sort of friendly. Eve Best took a bit to warm up too, but she came up punching at the end of Act 2.

After the show, we were able to take pictures and briefly speak to James, Ian, Michael, and Raul. They were very nice and patient. Michael actually asked if I had read the play and I was all excited to actually engage in conversation about it, when someone he knew popped out of no where and stole his attention, boo! However, he remember he promised us pictures and after his conversation ended came right over to us. That was very kind.

Review - Young Frankenstein - 12/7/2007

Young Frankenstein

Hilton Theatre

213 W 42^nd Street

Friday December 7, 2007 – 8:00PM

I had purchased these tickets the day they went on public sale I think in July, figuring the craze for tickets would be similar to how it is. We had center balcony seats and they were really not that bad, very roomy. The Hilton Theatre itself is very beautiful and big.

The show itself was good, not great but not bad. I don’t think it would get the whipping it does if it is not the “successor” of The Producers. In The Producers, the cheap lines and gags just kind of flowed and you didn’t notice them, but in YF they are very blatant- funny, but blatant. The songs were cute but not exactly catching. Sets were great and performances were excellent. Roger Bart was good as Frederick, and I can definitely see Hunter Foster filling this role after Roger and Sutton leave the show. Megan has a definite stage presence but I feel was wasted in the possibilities she could have brought to the show. The stand out for me was Christopher Fitzgerald as Igor. He just blew me away in every thing he did, small or big as part of the role.

After the show, a friend who works for the show was able to bring us backstage which was just incredible! Finally, the whole process was sort of brought full circle for me. I got to see dressing rooms, wig rooms, costume rooms, green rooms, backstage, props, set pieces, and even got to walk across the stage and look out towards the empty theater. What an incredible feeling!! The way they maneuver the sets and store them is amazing. So much goes on to put on the 2 hour show you see that one never sees or even thinks about.

Overall a cute show that I was glad I got to see. It will be around a while, but I don’t think it will reach cult status like The Producers or even the original YF film.

Review - Frankenstein - 11/12/2007

Frankenstein

37 Arts

450 West 37^th Street

Sunday November 11, 2007 3:00PM

Frankenstein was a concept musical based on the actual novel by Mary Shelley. The story of Victor Frankenstein and his struggle to contain the creature he brought to life, and the horror it inflicts on his life. This a dark story of cat and mouse. There had already been a concept album for the show previously, however I do not know if there was ever an actual staging until this. It obviously is a very rough sell to begin with and the critics did not help it much.

Overall the book and lyrics were a very big downfall of this show. It started off very slow and was honestly the first time I considered just closing my eyelids. The send of Act 1 and Act 2 picked up the pace a bit to make it tolerable. I felt so bad to think this way because the performers were excellent. They made the most of the material given to them. I will give them and A for effort because I can’t see this material as a musical at all, but they did what they could. The songs were forgettable but the stage design and direction was very interesting. I liked their use of projection screens and the stair cases.

Hunter Foster gave a great take on the troubled genius Dr. Victor Frankenstein. He was rarely off stage and didn’t have easy songs but he pressed on with great ability. He and Steve Blanchard worked well as master/creation. Steve had the most of a role to work with and played it very well. Not monster or animated, but as a disfigured, tortured, angry man that you were scared of yet felt for. It was a very physical role as well as vocally strong. His naked abdominal section wasn’t exactly a bad thing either.

I’m glad I was able to catch this show, even if for the sole fact to add it to my ever growing love of Hunter. Even if I do not thoroughly enjoy a show, I am glad to take the chance and explore other mediums and subject matter.

Review - RENT - 10/7/07

RENT

Nederlander Theatre

10/7/07 - 7:00 pm

This days seemed like it would never get here, but then seemed to come way too soon once it arrived. The last performance of Adam & Anthony in RENT (well so they say right now at least, lol, never rule anything out!). The theater was packed, and it was odd knowing so many people there. Everywhere I turned was a familiar face, whether I knew them personally or not. It really helped set to mood to see so many other exciting faces.

When Adam & Anthony first came out onto stage there was a few minute deafening standing ovation. It was so sweet to see them fighting back emotions, but I totally felt bad for how awkward it must have been. The show itself can't really be commented on any further than I already have in the last three reviews. They were just down right amazing. Performances that left me, of all people, speechless. The only difference in the flawless performance was the obvious emotional effect from it being the last show. A lot of added hugging, joking, and lots of tears. And I think for the first time ever, they had cast members bow by themselves. Usually it is a strict ensemble piece with no one being more important than the other. Well after the first cast bow, Adam & Anthony came out by themselves to more deafening cheering. They hugged and cried, and it was a really sweet moment I am glad I got to witness.

I am unlike others in my thinking of the future. I am so happy and blessed to have witnessed this return, having never seen the OBC in the mid 90's, and being a large fan of Adam's. But I don't feel like it is the close to my RENT chapter. I don't think anyone can live up to this, but I want to see them try. I want to eventually see the new Roger/Mark combo, and even if they suck, see the new interpretation.

Another interesting tidbit was that Christopher Hanke was sitting two rows ahead of me at the performance. Chris is the former Mark that left when Anthony returned. I unfortunately never caught his performance but I heard many good things about it. I couldn't help but study his reactions to the performance. I would love to know what was going on in his mind. Here he is watching the original play the part, two months after that was him on stage. At points in the show he was cheering probably the loudest in the audience, which was really cool to see him still care about the show/cast. I think experiences like this, and seeing the real Jerry at the closing performance of Grey Gardens, are my favorite parts of theater experience. It makes it real.

I had only seen RENT live once before this summer, and it was already deeply embedded into my heart, flaws and all. Now I saw it four (suprisingly only four, I am proud of myself) more times in two months, and I still love it as much if not more. Now though I can go back to seeing other shows.

Thank you boys for many great memories!

Oh and to comment on a few cast changes: Rodney Hicks as Benny is a great addition. D'Monroe grew on me by the third performance, but he was too rushed. Rodney adds a great fresh breath and more toned down approach to the role. Tonya Dixon is back in the role of Joanne. Maybe if I had seen her before Merle I would have enjoyed it more, but that role is forever tainted by Merle's amazingness! She wasn't bad, but no Merle. Troy Horne added a bit more to my Collins appreciation since the last time as well.

Review - Speech & Debate - 10/7/07

Speech & Debate

Black Box Theatre

10/7/07 – 2:30 pm

Speech & Debate was the introductory show for the new “Roundabout Underground” initiative. The goal is to “cultivate new works by emerging playwrights by giving them the opportunity to debut their plays as full scale productions the nurturing environment…”, as per the program. I didn’t know anything about the show, but was looking for something to do while waiting to see RENT in the evening.

You enter the theater via elevator and walk into a funky trendy lobby area. It has a small snack stand, a few couches, and tables. The theater itself is just a simple room. There are about 65 office type chairs assembled in rows and an aisle down the middle. There is no stage and the set is just a few feet away from you. Definitely an adjustment from seeing shows in large broadway houses. It was a simple classroom setting. It is a 4 person cast, and all scene changes are used with the same props, similar to how the tables in RENT are used for various scenes.

Essentially, the show is about a few different themes such as sexual abuse, personal acceptance, and social acceptance. It is the typical teen angst type show. There are three main students and an adult who serves as the teacher and reporter. The show starts showing a mock AIM conversation between the teenager on stage (later learned to be Howie played by Gideon Glick of Spring Awakening fame) and an obviously older man, trying to solicit a get together. Soloman is an uptight wannabe journalist. He starts out by vehemently trying to convince the student advisor to let him write on controversial issues such as abortion, and the recent scandal of the mayor propositioning young boys. He is turned down and seeks other avenues. Diwata is a teenage thespian who has a pod cast for her drunken gripes. Sarah Steele is definitely an up and comer after seeing this performance.

All three characters are strangers and have their own personal problem/agendas, but come together with the common goal of getting out the story of their predator drama teacher. While each is using it as personal gain, they end up caring for each others plights. They definitely tackle some common but still taboo topics, which is brave.

The show itself was very good for being a first production. It runs about two hours with no intermission. My body was achy and I want to stand by the middle, so an intermission is needed, but I can’t picture where they can safely stop the show for it, without taking you too far out of the story. But other than the achy feelings, I didn’t realize I was sitting there for two hours. It kept my attention. I can see some areas definitely needing work, but like I said, for a first time production it was very good. I hope it continues to be developed and moves ahead, along with the cast who were superb. I also look forward to seeing other initiatives from the Roundabout Underground program.

Review - Curtains - 9/21/07

Curtains

Al Hirschfeld Theatre

9/21/2007 – 8:00 PM

Curtains is a good old fashioned style feel good musical. Essentially a musical type “Clue” set backstage at an out of town musical tryout in the 1950’s. Lots of simple yet catchy songs with big chorus dance numbers. I have seen a lot of good shows recently, but this just made me smile like a child seeing something flashy. The story is very captivating and light hearted. A great evening out.

Disastrous leading lady Jessica Cranshaw is killed during curtain calls of ‘Robbin’ Hood”, and all cast members are locked in while a Boston detective tries to figure out who the murder is. Along the way, he helps the cast members rewrite and rework the show from a flop into a hit. And a lot more stuff, obviously but that would be giving too much away.

Debra Monk is a force to be reckoned with as Carmen Bernstein, the producer. She completely commands the stage. I think it is part due to her fame and past stage successes, but it is also that this role IS her! Karen Ziemba, playing Georgia Hendricks the song writer turned leading lady, is also a great talent. I have heard plenty of her dancing abilities, but she definitely wowed the audience during numbers like “Thataway”. It is especially impressive because she isn’t exactly a spring chicken anymore, but she still nailed it.

Aaron Fox, composer, was played by Jason Danieley, and he has a new fan in me. I came back and sought out his solo work because his classic broadway tenor voice was beautiful. I listen to “I Miss the Music” on the cast recording but it doesn’t live up to the emotional live performance. I know the song has a double meaning with the relationship of Kander & Ebb (the Composer/Lyricist of the show itself), which made it that much more touching. The rest of the supporting cast was also talented and brought a lot to the show. Only character I wasn’t overly thrilled with was Jill Paice as Niki Harris, the ingénue. I’m sure it was meant to be played like this, but I always want to take a shotgun to the naïve damsel in distress characters. Plus, oy, that high pitched voice was giving me a headache!

David Hyde Pierce (Niles from Frasier) is considered the ultimate star of the show, and he lived up to it. He played Lieutenant Frank Coffi, the detective in charge of the investigation and a budding thespian. His numbers are cute and his character is played with the right mixture of innocence and intelligence. His dance number is “A Tough Act to Follow” was very impressive.

I hopefully will get the chance to catch this show again. The material is good enough, in my opinion, to last on broadway a bit longer, but it all depends on how the eventual replacements of Pierce and Monk do. I sat in center front mezzanine and they were great seats. Not great leg room, but better then some other theaters. This is a big ensemble piece so sitting a bit further back helps you take in everything.

Review - Legally Blonde: The Musical - 9/18/2007

Legally Blonde: The Musical

Palace Theatre

9/18/2007 8:00pm

This outing started out more as a joke, but turned out to be pretty enjoyable. I saw the press release about free tickets to the MTV taping of a live Legally Blonde performance. I submitted an e-mail for me and a friend just for giggles, and we got tickets. They were in the upper right balcony which is essentially miles from the stage, but it was free. Having adored the movie, I always had the urge to see the musical but I part scared me away. So couldn’t beat a free chance.

One of the stipulations of the free tickets was we had to dress in pink, which sucked, but we soldiered forward. They had set up a “pink carpet” for arrivals of D-rated celebrities, and had the crowd stand outside almost taking over that corner of Times Square. A sea of pink, screaming, attention wanting fan girls and boys, I almost wanted to run for the hills. We finally entered and was instructed by a cute chorus boy for pre planned crowd shots, expected at a taping. We were in the country Balcony, so it really didn’t mean anything for us.

The show itself is very flawed and rushes the story way to fast. Even If I had never seen the movie, I still would feel it was rushed. But the supporting cast made up for all of that with their performances. The Greek Chorus - Serena (Tracy Jai Edwards), Margot (Annaleigh Ashford), and Pilar (Asmeret Ghebremichael) were my favorites. They were completely perky and fun throughout the show. The characters in the movie actually annoyed me to no end, but they rocked the musical.

Richard H. Blake was cute as Warner played like a boy band member. Orfeh as Paulette was a real delight. I had never understood the fascination with her, but then she started singing and I was a believer. But no matter how great she sounded it was not the voice I imagined for the role of Paulette though. “Ireland” was a cute song, but didn’t thrill me. Andy Karl was obviously adorable as Kyle the UPS guy. Knowing they are married in real life made it that much cuter.

As for the lead, Laura Bell Bundy, she ruined the show for me. Don’t get me wrong, I respect the talent to get up there and sing and dance 8 times a week, etc. I could never dream of doing that, but she just didn’t do it for me. She tried too hard for a valley girl type voice and it sounded way too nasally. Plus, I didn’t feel anything for her character. I just wanted her to shut up and let everyone else talk. The very essence of the Elle character is being very strong willed and confident, and I just felt like she whined about everything. I gave consideration to the thought that this could be that they gave too much importance and character to the Greek Chorus, but still didn’t convince myself. She and Emmett (Christian Borle) had no romantic chemistry, which is a big part of the show. Christian was adorable given the material given to him.

During the show itself my eyebrow was raised many times in a “Really? I have to endure more of this?” fashion. “There! Right! There!” was pointless and borderline offensive. The gay pool boy scene in the movie was critical but very quick. There have drawn it out into a whole song with many stereotypes. Many shows have songs like that that are praised, but this was obviously going just for cheap laughs. By the end of the show, I felt a bit better just being happy with the actual performances. Whipped Into Shape” was impressively choreographed with a dance number done with jump ropes.

I waited a few days and listened to the cast recording and it grew on me, but I still won’t go gushing praises or anything. I may consider going back again if there is an understudy for Elle, but I won’t put it on the top of my To See list. But it was a fun, light show, so if that is what you are in the mood for, it can be enjoyable.

Review - RENT - 8/7/07 & 8/25/07

I was blessed with seeing RENT again on 8/7/07 and 8/25/07.

8/7/07

Had Row C Center mezzanine seats, which were better than the prior week, but still high. Not much to comment on the performance that hasn't already been said. If anything they were so much better. They had over a week back in the roles and it showed. The cast really appeared to be gelling together. Stagedoor was still mad so we didn't stay. I don't think Adam came out anyway.

8/25/07
These were the tickets I had bought when they first announced the Adam/Anthony return. 8th row direct center baby! Well worth it! The mezzanine definitely holds it charms, but being so close you get to see the emotions on the actors faces. It was so great. The show as 10x better than 8/7, which was 10x better than 7/31. The entire cast is just on fire. Adam has made Roger come alive with his brooding anger yet vulnerability. Anthony is perfection as Mark. Most importantly, you can tell they are enjoying themselves. I actually stage doored afterwards since the new layout. I got a front spot without rushing and everyone was really cool and calm. D'Monroe (Benny), Nicolette Hart (Maureen), Anthony and Tamyra came out and signed. They were all very nice but you can tell really exhausted, especially Anthony. I was secretly bummed Adam didn't come out, but it's all good. I think he had family in town, and he should get to spend the time with them. Just when I thought I was cool with not seeing the show in September, I want to go back like today! :) Yesterday (8/26) marked exactly 8 years since the first time I saw the show, and it still makes me as giddy as a 12 year old.

Review - RENT - 7/31/07

Warning - VERY long!

RENT

Nederlander Theatre

Tuesday July 31, 2007 – 8:00 pm

I don’t think it came as much of a shock that I was more than excited when the announcement was made. Adam and Anthony are returning to RENT for a six week engagement. This was a dream come true for me. I, along with many others, never thought we would ever see them back on the stage at the Nederlander for anything other than a reunion. But oh what I would have done to have seen it happen. Dreams really do come true.

Well to start, the line was snaked all the way around to 7^th avenue just to get in. Once in, the place was packed, but you could sense the excitement in the room. It felt surreal to be back there, since I hadn’t seen it since 1999 when I was 16. Things have taken a bit of a different view now than they did then. The stage and scenery were more nostalgic than “innovative”, etc. But I will fully admit to resorting to a twelve year old girl and squealing with delight when Adam first walked on the stage, clad in those irresistible plaid pants! The crowd went nuts, but then Anthony walked out and they went even crazier. It was amazing and you could tell they were just soaking it all up. It took me a few seconds to actually believe I was actually seeing it all.

“RENT” was packed with power and angst. I will say this many times, but I swear they sounded like the stepped out of the cast recording, they were THAT on. Adam was jumping on and off things with ease, and just really getting into it, along with the rest of the cast. “One Song Glory” was raw and beautiful. I have heard him sing it at his solo shows, but nothing is like seeing it in its actual context. “Light My Candle” was adorable. He and Tamyra Gray had cute chemistry, but not great. She, however, is incredible, more on that later. They were more hands on than I remember the roles being, but it all worked! Adam did a cute little “shimmy” silly dance move when he sang “I’m Roger” and the crowd ate it up.

I was lucky to see Wilson (the original Angel) when I saw my first performance, and he is definitely someone hard to live up to. Justin Johnston really did a good job trying. He was adorable, heartfelt, and a damn good singer. He nailed “Today 4 U”. When Collins enters in the beginning and throws the items, the bag of bananas slipped through Adam’s hands and went straight to the floor. It was pretty funny, but they just kept going. Troy Horne was a decent Tom Collins, but he took some getting used to. He had the voice, but the acting was a bit odd in the beginning, very dry. “You’ll See” was adorable, but I am not very fond of D’Monroe as Benny, just very blah.

One of the other reasons I rushed to see the show so soon was because on top of Adam and Anthony, Merle Dandridge was returning for a quick stint as Joanne. I missed her when I saw Tarzan and was very upset. She was just as awesome and I expected. I love her take on Joanne best out of all I have seen via youtube, etc. “Tango Maureen” was enjoyable and she and Anthony danced the hell out of it. Tamyra definitely is my favorite Mimi. I wasn’t fond of the look, she was a bit too small and skinny, and really didn’t dig the short hair. In the “Out Tonight” outfit and the hair, it kind of looked like she belonged in Rainbow Brite. Don’t get me wrong, she herself looked amazing, just didn’t fit the show. I would love to have my legs look like that in tight blue leather! However, she wowed me with the vocals. I was never a big fan of Daphne or any others take really. She really made me love it. She rocked out and nailed all of the banister dancing. I was not a fan of the pulling the glitter out of her shirt and releasing it. Since she couldn’t do it from her hair, they should just cut it completely. “Another Day” was emotional. Adam remembered all of his lines, and he and Tamyra really got into it.

“La Vie Boheme” was energetic and spot on. Even Adam actually looked like he was enjoying the beginning dance moves. As an obsessed fan, I couldn’t stop giggling just because it was uncoordinated Adam doing it. I also totally fangirled it when he stripped to the black cut off tank, I will admit it proudly! With Anthony, it felt like I was watching a bootleg from 1996, he was just that perfect - movements, singing, everything! There were some added movements and little things from when I last saw it, especially Adam’s graphic and hilarious motions for “hold an erection on the high holy days”. “I Should Tell You” was touching and mushy. Like stated above, they were very “gropey” during it.

I got all jittery when they came out for Act II and lined up for “Seasons of Love”. It is such simple staging but still just tugs at your heartstrings. However, it was short lived for me because I thought the female soloist just butchered it. It’s similar to people butchering the National Anthem. I don’t understand why people just can’t sing it, but have to add all weird “riffs” (I’m musically challenged) and ruin it. Back to point, I LOVED “Happy New Year”. It was one of three songs I was most excited to see. Adam even nailed the simple little lines I loved (going higher at the end of door in “they padlocked the door”, bad british accent “That’s shaken not stirred”, etc.) Wasn’t too fond of the actress playing Maureen, but she did look really good in the cat suit! “Take Me or Leave Me” was good, but mainly because Merle rocked it. “Without You” started my tear ducts. It was beautifully sung by Tamyra and Adam, and it is the start of Angel’s death. I forgot how “wow” “Contact” was, and “I’ll Cover You(Reprise)” did me in. But I didn’t cry as much as I do when I hear Jesse sing it, sorry. I know I am not supposed to compare, but that is one song that I cannot bare to depart from the original. Troy did it justice for the moment though.

Move on to the moment I was most anticipating, “Goodbye Love”. Amazing! I don’t know how to elaborate on it. It was just perfectly done. I was speechless. And then they kept me that way with “What You Own”. Once again, it was like I was listening to the recording, they were just that on. And it was nice to have new images and get the movie Bon Jovi/Britney Spears video images out of my head! “Your Eyes” was the third song I was looking forward to, and big surprise, I loved it. As much as I love it though, I do still get a sarcastic laugh thinking that he goes and gets his freakin guitar when the chick is sitting there dying, but what can you do! “Finale” was powerful and moving. The projection images were the only things I couldn’t really see from our seats though.

Everyone jumped to their feet the minute the stage went black and cheered passionately through curtain calls. I really like that they bow as a cast, and not one single person gets an individual bow. We went outside and it was pandemonium! People were just swarmed around the barricades. I was just speechless. We had walked down to the corner by 7^th Ave, and when you looked down, it was a mob scene. Cars couldn’t get down the street because everyone flooded out into. Out of no where you heard a roar of screams (Anthony coming out), and it was so loud it stopped everyone walking down 7^th! If they didn’t have egos before, I am sure they have them now! I couldn’t really see but it looked like they were signing and smiling. Once the girls started crying and screaming we made our retreat. I would have loved to have gotten close, but I am not that obsessed that I would brave the mob. People were on top of each others shoulders it was that crazy.

All in all the night was better than I could have imagined. They definitely proved all of the cynics wrong and came back with fury. I am glad to be seeing it again because I was focused solely on Adam tonight, so I really didn’t take in the full show. Now that I have gotten some of it out of my system, I can sit back and enjoy.

A lot of people are saying that RENT should close because it is outdated. Yes, it is no longer 1996, but so what. It isn’t the early 1900’s but you still go to watch Phantom. The underlying themes and messages are still relevant. I honestly can’t see it staying open too much longer, but I hope it still has another year or so left. But Nederlander, please fix up the theater. I love that is mostly decorated to fit the theme, but the cracks in the ceilings and stuff need to go. Ok, I can’t believe how much I just wrote and will stop rambling!

Review - Grey Gardens - 7/29/07 - Closing Performance

Grey Gardens

Walter Kerr Theatre

Sunday July 29, 2007 – 3:00pm

Since the last time I saw this show, I have lived it vicariously through the cast recordings. By doing this, I fell more in love with the show. I was a full on supporter for the Tony wins! So when I heard it was closing, I got sad. I wasn’t going to get a ticket for the closing performance, but I was glad I did. First, let me say that the mezzanine seats are amazing in this theater. I think I will continue to sit up there and not even bother looking for orchestra tickets.

The show itself was as amazing as everyone expected it to be. There is not much more to add from my last review. Each actor was giving 110% and it was very evident. The crowd gave very loud entrance applause when Mary Louise Wilson and Christine Ebersole first appeared. John McMartin also got a pretty loud entrance applause, which I don’t think he was expecting.

The crowd went NUTS when Christine came on at the beginning of Act II for “Revolutionary”, full on standing ovation. It had to be a few minutes and she was just so emotional and shocked by it. But once the audience somewhat died , she went on and just killed. All of Act II was pretty flawless. I had the real life “Jerry” sitting a few rows ahead of me. So during scenes like “Jerry Likes My Corn”, I couldn’t stop myself from watching his reactions. He was crying, which made me tear up. You could just tell how much it all meant to him! That was a moment I will never forget. He was also very kind to everyone that went up to him before the show.

The crowd went wild at curtain call. A few directors (I think) came out, and the composer gave a quick speech. Most of the audience was taking pictures, and the people on stage were taking pictures of the audience. It still wasn’t what I was expecting from my first “closing” but it was still amazing. It is so sad that this wonderful piece is not around anymore. It was so different and intriguing. But then again, I honestly couldn’t see myself seeing it once they start with replacements. Christine’s performance was so layered and breathtaking, I don’t think I would want to replace that image in my mind.

Review - GYPSY - 7/20/07

Gypsy

NY City Center

Friday July 20, 2007 – 8:00 pm

I will admit to being a very bad theater lover. I had no real idea about Gypsy or Patti Lupone until about two weeks or so before I saw this. Yes, I am hanging my head in shame. I finally sat down and watched the original movie and fell in love. The songs, plot, performances were captivating. Then I heard all the hype and reviews regarding this performance, and really got psyched!

I went with a group of friends, and was surprised to find out that I had second row center orchestra seats. It was indescribable. Patti is just a force to be reckoned with. From the moment she entered the theatre the crowd went nuts, and pretty much never stopped!! She just controlled the stage with ease and grace. You could tell she was enjoying being Rose. Boyd Gaines stole my love in Journey’s End, and kept it going. He was great as Herbie. Patti and he had fabulous chemistry in their roles. Laura Benanti was hard to get into at first, but by the second act she had the audience eating out of her hand. I know people have had issues with past performances of hers, but she really nailed this role. And what a gorgeous body!!

The show stealer for me was Leigh Ann Larkin as Dainty June. She had a phenomenal voice that just blew me away. I still have her and Laura’s “If Momma Was Married” going through my head. The playbill said this was her broadway debut, but I am confident this won’t be the last we see of her. At least I hope not. Tony Yazbeck showed off his impeccable dancing in “All I Need Is the Girl”. Nancy Opel, Alison Fraser, and Marilyn Caskey were hilarious as the strippers, they really nailed their scenes.

Patti got a huge standing ovation after “Roses Turn”, but it was like you didn’t have any control. It was so intense that your body just reacted and shot up to cheer! She had to come out a few times at the curtain call because the audience would just not stop.

I have officially been turned on to this show. I have all of the cast recordings and have listened to all of the interpretations! I’m in love!

Review - Chicago - 6/13/2007

Chicago

Ambassador Theatre

Wednesday June 13, 2007

Chicago is supposed to be one of the greatest and most brilliant stage musicals of all time, or something like that, correct? I think I must have seen the wrong show then. Ok, I’m starting out a bit too harsh. Before seeing shows for a second time, I have been trying to catch up on the various ones I have not seen at all. So when I decided to catch a matinee one day, Chicago was high on my “to see” list after hearing so much about it. I saw the movie when it was released on DVD and rather enjoyed it. I should have just stuck with that vision.

I had an 8^th row left orchestra ticket, which was a great seat, but I think I would have been just as fine in the mezzanine. The stage is bare, that is the best way to describe it I guess. They have the orchestra sitting on stage in a riser like thing, which was kind of cool.

The show in itself has an o.k. but somewhat flaky plot, but that’s not what you care about. I did enjoy seeing the dancing “Fosse” moves, and the ensemble really pulled their weight, so did the leads, but I still was not impressed. Joey Lawrence was in his final days as Billy Flynn. He was adorable and did a decent job in the role, but that was only because he was charming. His voice was just enough to pass, but he had a really good stage presence so it made it bearable. Brenda Braxton and Bianca Marroquin were also good as Velma and Roxie. They had decent chemistry and good dance talents. I really think they need to replace or fix those ladders on the side of the stage. I was so fearful they were going to break and the actress was going to fall off. That is never a good feeling.

During scenes like “Razzle Dazzle” was I wrong to expect some razzle dazzle?? Other than some sparse confetti like substances falling from the ceiling, it was so…blah. Same thing was with Nowadays/Hot Honey Rag at the end. I used to sell those sparkly curtains at Party City. It just left me with a very bad taste.

And I finally had my first problem with audience members. I would hear the horror stories, but had yet to really experience it. Well I had the tourists that spoke loudly, sang, kicked chairs, etc. throughout the whole show. People please learn some manners.

The only way I expect to ever go back again is if they get Jesse L. Martin or Adam Pascal as Billy Flynn. But I don’t see that happening anytime soon.

Review - Journey's End - 5/26/2007

Journey’s End

Belasco Theatre

Saturday May 26, 2007 – 8:00pm

In the past year I have been able to see a lot of musicals, but had been lacking in enjoying a play. In my youth I was involved with more plays than musicals, and it was more of where my passion was. I kept telling myself to go see a play, but the glitz and glamour of a lot of the more recent musicals kept my attention. I happened to be going into NYC to meet up with friends and figured I might as well catch a show. I did not know much about Journey’s End except that a lot of people liked and it was closing soon. So I went ahead and booked a ticket. It was probably the best decision I have made all year!

It is true that the subject matter and plot line of this play does not differ from most of the recent war box office movies (Saving Private Ryan, etc.). It focuses on a group of soldiers’ right before an attack, and the bonds, friendship, and internal struggles that ensue. But there is something completely different from watching a movie screen, and seeing it live in front of you. First of all, the stage design, set, and lighting was perfect. Each detail made it believable and brought you that much more into the story. At first I thought the low lighting would put me to sleep, but it really enhanced the mood. The story did drag a bit at points, and without the flash of set changes and lighting tricks, could get dull, but luckily it would quickly redeem itself. The last 20 minutes had me mesmerized. The acting and sound effects blew me away (no pun intended). I also really admire how they did the final bows. I was a little confused at first, but my hands would not stop clapping. I was only in the forth row, and I swear a few actors were fighting back tears. I can’t blame them, because the standing ovation was indescribable. Everyone was on their feet and clapping so hard!

The cast was phenomenal. I just can’t get over it. While Hugh Dancy was very heart felt and easy on the eyes, my favorite was Boyd Gaines. I felt for him from his first scenes.

If you have not seen it yet, GO!!! It is a shame that this production must close, but I am SOOO happy I was able to see it before it does.

Review - Company - 4/21/07

Company

Barrymore Theatre

Saturday April 21, 2007 – 8:00pm

This play was my first real exposure to Sondheim and his works. Of course I have heard about him and his masterpieces many times, but had never actually experienced it. So I figured it was about time.

The story of “Company” is good and well thought out, but left a bit to be desired. I felt for Bobby, but not as much as I think I should have. And I think I felt more for the character because of Raul’s incredible performance. His singing and expressions during “Marry Me a Little” and “Being Alive” was what drew me in. I know many people like Bobby, and just didn’t see what the big deal was. The supporting cast of characters was interesting and unique in their own stories, but once again, I just didn’t connect with them.

The most appealing aspects of this production for me besides the already stated performance by Esparza, was the direction. I actually enjoyed the staging and playing of musical instruments. Not having seen Sweeney Todd, it was an element I had never really seen in a production and intrigued me. I will definitely keep my eye out for future works directed by John Doyle.

The performances were all on and I really have no complaints there. Sometimes the entire score seemed a bit rushed and hard to understand in the mezzanine of the Barrymore Theatre, especially with some actresses singing in high voices. I had never seen Raul perform live and he lived up to all of my expectations. His voice was beautiful. I fully support him for Leading Actor Tony.

Overall, I am very glad I was able to catch this production. I wouldn’t rush back to see it again, but I would like to catch it again before it’s run ends.

Review - Spelling Bee - 3/18/07

The 25^th Annual Putnam County Spelling Bee

Circle in the Square

Sunday March 18, 2007 – 7:30 PM

This has been a show high on my priority list to see. We tried lotto for this show in January but lost. Well, yesterday, luck finally found me and I won lotto. Having just seen Grey Gardens earlier in the day, this was a complete turn around in style of show, but it was perfect.

To start, I am in love with the actual theater. I love it when I really feel that I am there with the actors and in the story. The theater itself is really interesting as it is not laid out like normal theaters. Add the fact that almost every aspect is set up like a gymnasium, all the way down to the bleacher stple seats we were in, and it was perfect. This is a completely interactive musical, which was so much fun. You just never know what to expect. One minute the characters are on stage, and the next they could be sitting on your lap! I was lucky enough to catch the show as they were hosting a Broadway themed night, having three of the guest spellers be broadway actors Brian Stokes Mitchell, Lea Salonga, and Raul Esparza. From the moment the show started I was entranced. I do not think I have laughed that hard at a performance, ever. The story plot is just cute and comical, and acted to perfection. The nuisances and quirks of children at a spelling bee would have never been my first idea for a musical, but it was amazing. The original creative team for this show really deserves props!

You can definitely tell that the current cast loves what they are doing because no one looked like they were “phoning in” the performance. I caught some of them laughing at jokes they were not expecting. Greg Stuhr and Lisa Howard really need to go into stand up comedy if they ever decided to leave singing (not that Lisa should, her voice is beautiful!). Nothing brought them out of character, and they reacted so quickly to added unexpected material. I will never understand how Greg makes it through some of those sentences with a straight face! You can also tell that they constantly have to learn new material because it all stays current. As for the spellers, they were adorable. I was originally only excited to see Barrett Foa finally in person, and I was not disappointed. However, I left the show a new fan of Jose Llana. The other characters/actors were very good, but those two took the show for me. They all portrayed the naïve, silly, awkward child so well it was sort of scary, since they are in their mid 20’s and older.

The three actors who were chose to participate in the special themed night did not disappoint. They threw themselves in there amidst the chaos and had a good time. Raul was the first one disqualified, but he was so cute up on stage next to Leaf. His "what the hell" faces while looking at Leaf do odd things were priceless. I do wish he had not gotten out so fast. It was also my first time seeing him in person, and he is quite cute. I can see where people get their high opinions of him. Now I just have to see him act in an actual play. Lea & Brian I was less familiar with but they were great. Totally good sports and really cute. I was really happy I was able to experience this special night.

It is very upsetting to know that some of the cast will be leaving the show soon, because I would love to see them in action again. I can definitely see myself attending this show again and again with new people, and I will definitely be out there spreading the word to make sure that happens. As long as the new cast(s) keep the same type of charisma, the show should still achieve the same success. I will also not miss the next “adult” night, because I can only begin to imagine how enjoyable that can be.

Review - Grey Gardens - 3/18/07

Grey Gardens

Walter Kerr Theatre

Sunday March 18, 2007 – 3:00PM

I did not know much about this musical when going into it. I had read and heard a lot about this show, and more importantly Ms. Ebersole’s performance, so I decided to see what it was all about. I am really glad that I did. I have been trying to catch up on the many shows I have not seen, and all of the different genres I had never experienced. It has been a tiring (and expensive) journey but I have thoroughly enjoyed every moment so far. Even in the shows I may not be crazy about, I have found something to connect too. I was secretly afraid that this would be the show that stopped my success. I was really wrong. It was the type of show I needed to feel like I have been “spreading my wings”. It was a musical, yes, but I don’t think I can compare it to the other ones I have seen. The material and base of the show were very unique and very well executed.

Based off the mid 1970’s documentary about eccentric socialites Edie & Edith Beale, this play is placed in two different eras. The first act (other than Prologue) takes place in 1941 and Act two in 1973. This transition was pulled off seamlessly. The thing I was most afraid of was how the material would translate into song, but it worked nicely. I guess part of it was a little easy since the Beale’s were known for their singing, so some of the songs were the characters actually singing it as part of the show. My only personal complaint was that the show was sung mostly in a high soprano note, which made some of the lyrics hard to understand, but that would be a very minor complaint at best.

From the moment I sat down (Left Mezz Row A – great seats), I began to appreciate the show. Similar to what I liked about Tarzan, the stage was already set, so it helped put you in the right mind frame. For GG, you looked at the exterior of the “mansion”, complete with the vines growing up the side of the stage. Also, they played bird chirping/nature music lightly in the background, to help you feel that you were outside the house. These are the little details that really get me into the show. When the show began, it kept my attention the entire time. In the first act, the material can be related to by mostly anyone (mother/daughter relationships, crazy families, etc.). The sets and costumes set the story nicely. In the second act, I was just mesmerized by the acting of Ebersole/Wilson along with the actual story taking place. My favorite scene would have to be early into the second act when the “ghosts” of the past characters are floating about for brief moments. It was haunting.

There was no weak link in the cast. Ms. Christine Ebersole is a force to be reckoned with. I had heard rambling about her stage presence and talent, but I was blown away. They should not even bother nominating anyone else for the Tony. I don’t even think I can put into words how incredible her performance was. This is by no means my favorite show of all time, even though it does have a high ranking, but I will rate her performance as the best I have ever seen live. Mary Louise Wilson pulled off the fine line between vulnerable old woman and determined strong willed woman in her performance of Older Edith. She tugged at your heart strings out of pity as well as out of compassion, a distinct difference. The other stand out character for me was Matt Cavenaugh. Yes, I have not really seen a show where I wasn’t smitten with one of the male leads, but he was different. Of course he had the good lucks, but his charm really pulled you into the somewhat minor role of Joe Kennedy. I guess it was more that I found that weird but accurate accent appealing. I also really like how the cast played all the other roles in Act Two.

Overall, I am really impressed by this show, and really glad I decided to not be afraid of the unknown and see it. I just don’t know if I can see this becoming a long term show, due to the fact it isn’t for everyone. I think the draw so far has been the good reviews, but mainly Ms. Ebersole, but I could be wrong. If and when Ms. Ebersole leaves, I think a portion of possible new comers might go out with her. Not that I don’t think someone else could do her role justice, but because of marquee power. However, I do hope it has a very healthy run. I don’t think I will see it again soon, unless someone I know invites me, but I do hope to catch it again once I get more shows under my belt. I will definitely be looking forward to the cast recording release.

Review - The Drowsy Chaperone - 3/11/07

The Drowsy Chaperone

Marquis Theatre

Sunday March 11, 2007 – 3:00 pm

Preface: Going into this performance, I only knew basic facts about the show. I had bought the Cast Recording but had only actually listened to a few songs. Along those lines, I also was not very educated in the actors either. Obviously I have heard the names before but have not researched their careers. Of course I had the show on my list of “too see” because a lot of people I trust enjoyed it. When I got the offer for tickets on Bob Martin’s last day, I couldn’t pass it up.

Second Preface: I ended up being very sick during this performance, coming down with a bad case of food poisoning after the show. Therefore, my attention was not quite with the show the entire time. So if I missed something or didn’t “get” something, I apologize in advance, my mind was elsewhere. Having said all of that, let’s continue.

The entire basis of the show interested me. As “cliché” as it sounds there is not a lot of originality on broadway right now. I’m not complaining, but mostly everything is a revival, based of a major movie, etc. So it was really interesting to see some new breath. I’m always interested in movies or books that are about being in the actual movie or book. So this was naturally up my alley. However, it didn’t quite live up to my personal hype.

Set & Costumes:

I loved the simplicity of the set and the fact that they used every inch of it in some way or another. Not much to say about the costumes, but they fit the time period. Man in Chair did really remind me of a creepy Mr. Rodgers though!

Cast

Bob Martin – Man in Chair – The one thing I do agree with everyone on is that Bob is that role. I know he created the entire idea, but it was just him. He is that “strange” uncle everyone has but doesn’t like to talk about! He played the character very enthusiastically and heart felt. What I may have felt was lacking in the plot was made up for in his performance. I have never seen a performance when an actor was leaving, but I have heard stories and seen pictures. Bob not having the second curtain call or big speech, kind o f made me respect him more. Even I knew the kiss on Troy wasn’t planned and was hilarious. I don’t like to type cast, but I don’t know if I can see him in another role!

Georgia Engel – Mrs. Tottendale – Ok, so I was a little bit of a fan girl knowing I was going to see Mrs. McDougal from Raymond. I still didn’t really see the total point of her and Undeling’s role, but I guess that was part of the story, but she did well with what she had. But was it me or was it very hard to hear her? I know part of her charm is her how soft spoken she is but I would think they could’ve raised her mic levels a bit.

Peter Bartlett – Underling - Same as above, he did a good job with what he had to do.

Troy Britton Johnson – Robert Martin – Hello Nurse! He was the epitome of the early 20’s chiseled just perfectly handsome man, but he can sing AND dance too! I don’t know why I have this soft spot for tap dancing. I know nothing about it but it has always fascinated me. So it was wonderful to see that great tap scene between Robert & George. He was also very cute with Sutton.

Eddie Korbich – George – As said above, he is a fabulous tap dancer. He strangely reminds me of one of my fiancée’s best men and I don’t know if that was a positive or negative!

Danny Burstein – Aldolpho – His character is still making me shake my head in confusion, but he pulled it off perfectly. Every time I need to respond to a question with “what” I have this desire to say it like Aldolpho! He and Beth had great chemistry!

Sutton Foster – Janet Van De Graaff – Ok, shoot me if you must, but I don’t see the big deal. Yes, she has a beautiful voice and was adorably naïve in her role, but I don’t know. With how much I hear people talk about her, I was expecting a bit more. I would rather stick the her Chess Benefit performance. She did look absolutely stunning at the end in the white lingerie costume.

Beth Leavel – The Drowsy Chaperone – If I had to pick, she was my favorite from the cast. What a beautiful voice. She also captured the absurdity of the roles perfectly. I was amused when she almost lost it during Bob’s “Happy Birthday to Ewe”.

All other roles were very cute and well done, but nothing to particularly comment on.

I guess I just missed something somewhere in the story line. I definitely will want to re visit one day in the future when I can actually focus on the entire show. I did enjoy the black out scenes and a lot of the staging. The entire show was very light and upbeat, which is sometimes just what you need, pure entertainment without too much thought.